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BETWEEN THE WALLS 3 Stars – THOUGHT-PROVOKING The analogical purpose of Chris Staron’s
“Between
the
Walls”
is
obvious:
Many
feel
as
though
God
is
an
intrusive
deity
who
like
a
sick
father,
“listens
in”
on
our
lives
and
records
our
sins
to
use
them
against
us.
That
anyone
would
find
this
repulsive
is
just
as
obvious
and
is
well
documented
within
the
film. But that this is not the God of the Bible is
not
as
obvious,
because
many
who
are
not
Christians
(and
some
who
are),
misunderstand
the
true
nature
of
the
eternal
Father
who
loves
and
cares
for
us. Set within MidAmerica, the central
character
of
the
film
is
Peter
King,
Jr.
(Patrick
Midgley). Peter has come back to his childhood home because
the
bank
is
about
to
foreclose
and,
though
his
mother
is
alive,
he
is
the
only
child
so
he
must
remove
its
contents.
Married to his childhood sweetheart, Linda (Dorothy Savage)
and
blessed
with
an
inquisitive
daughter,
Peter
regresses
into
a
panicked
anger
when
his
daughter
attempts
to
open
the
basement
door
to
his
father’s
forbidden
room.
Encouraged
by
Linda
and
his
childhood
friend
Ryan
Connolly
(Eli
Jared)
to
overcome
his
fear
and
anger,
Peter
unlocks
the
door
to
discover
years
of
audio
tapes
and
imbedded
microphones
in
every
room
of
the
house. Unnerved by the discovery and realizing that his entire childhood
has
been
recorded
by
his
father
in
his
father’s
sick
and
desperate
need
to
control
and
discipline
his
namesake,
Peter
Jr.
must
now
take
a
journey
both
into
the
past
and
into
the
future.
Using the tapes as auditory and visual reenactments of his
past,
Peter
is
able
to
both
hear
and
see
what
he
experienced
as
the
son
of
Peter
King,
Sr.
(Scott
Davis).
What
makes
this
journey
all
the
more
complex
is
that
his
father
used
his
distorted
Christianity
and
invoked
a
demanding,
perfectionistic god to inflict an abusive and intrusive presence
in
Peter
Jr.’s
life. This is where the film both excels and struggles. Using Ryan’s desire to bring Peter into authentic
Christian
faith,
the
film
attempts
to
show
Ryan
as
a
bungling
witness
of
Jesus
Christ.
Overly
pushy,
scripture
quoting
and
obviously
uncomfortable,
it
is
hard
to
imagine
Peter
actually
responding
to
him.
Recognizing
that
most
people
are
not
articulate
in
their
actual
attempts
to
express
their
faith
to
family
and
friends,
the
film
would
have
been
stronger
to
make
these
interactions
less
obvious
and
more
natural.
In
an
attempt
to
bring
authenticity
into
the
process,
the
film
lacks
the
power
that
scripted
communication
can
represent
in
cinema. Though everyone knows real people don’t speak
with
the
wit
or
wisdom
in
films,
it
is
an
opportunity
to
see
what
it
looks
like
if
we
all
had
writers
spending
hours
thinking
of
just
the
right
words
to
say. The moment where the film does excel is in its visual solution
to
the
abusive
taping
his
father
had
done. Having turned to God and asking for his help
to
forgive
his
father,
Peter
Jr.
realizes
he
must
destroy
the
collection
of
tapes.
Similar
to
the
moment
in
counseling
when
a
person
makes
a
fearless
inventory
of
past
wrongs
we
have
done
and
the
wrongs
done
to
us
and
then
burns
that
list
to
portray
symbolic
and
actual
freedom
from
them,
Peter
and
Ryan
set
the
tapes
on
fire. It is both a response to and a catalyst which
brings
Peter’s
healing. “Behind the Walls” is a film of depth and understanding.
It
is
an
analogy
that
both
repulses
and
engages.
It
is
a
story
through
which
the
truth
will
resonate
for
any
who
have
misunderstood
the
nature
of
the
Living
God
revealed
in
the
Bible. Discussion:
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