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MARVINS ROOM
FOUR STARS - Inspirational
The healing power of love is difficult to portray without being
overly sentimental or simplistic.
But in Marvins Room, the love presented is
so authentic that its healing balm revives not only the lives of the
characters on the screen but of the audience as well.
Marvin (Hume Cronyn) is a bed-ridden, elderly man who has spent
the last twenty years within the care of his oldest daughter, Bessie
(Diane Keaton), in his Floridian home.
Bessie states that Dad is dying real slow, so I dont
miss a thing!
But Bessie, having surrendered the plans she had for her life
to return to Florida, has also nursed a twenty year resentment of her
younger sister Lee (Meryl Streep) for not doing the same.
Lee had instead married a man who had physically abused their
young son Hank (Leonardo di Caprio).
But out of protection for Hank, Lee had divorced her husband. Now, many years later, Hank and Lee have developed such a destructive
relationship that Hank has reacted by burning down their home. The authorities respond by hospitalizing him
in a mental institution.
This event leaves Lee and her younger son, Charlie, homeless. A local convent mercifully takes them in and
gives them a large closet-like room to share.
Into this family of pain a miracle comes.
Like most miracles, it is at first seen as a catastrophe, but
the end result is the healing of the family and its individual members.
The miracle begins when Bessie is diagnosed with leukemia. Responsible not only for her father Marvin,
but also for her aunt Ruth (Gwen Verdon) a wonderfully childlike older
woman, Bessie is devastated, not for her own loss of life, but rather
for the care of her loved ones.
When her doctor informs her that the only cure is a bone-marrow
transplant, they contact Lee and ask her and her sons to come to Florida
to be tested.
It is then that love begins its transfusing work.
Played with veteran acting skill both Keaton and Streep allow
us to experience every nuance of their struggle:
the nervous giggles, the desire to please, the competition, the
shame, the guilt, the longings.
Due to the division between the sisters, Bessie has never seen
Lees sons, her only nephews.
In some humorous and yet devastating scenes, we experience along
with Bessie the conflicted relationship of Lee and her sons.
It is obvious that they had so long ago stopped connecting lovingly
or honestly that their relational dance is one of struggle and defensiveness.
When Bessie begins to connect with Hank, the healing power of
love begins. In ways that parents are often too anxious
to allow, extended family members can simply love an adolescent just
as they are.
When Hank discovers Marvins tools in his grandfathers
room, Bessie gives them to him. This
simple gift unlocks the discovery that Hank is a gifted mechanic, just
like Marvin. But the problem is that Bessie also needs a
gift in return from Hank, his permission to test him for the bone-marrow
transplant.
It is this convolution which creates the authenticity of the
film. Love is never simple or pure. There are always other motives, because human
beings need each other. To deny
this fact can create such a simplified view of love that it can never
be received in all its complexity, nor can it be given in all its intimacy.
Bessie loves Hank. She
needs his bone marrow tested, which is the catalyst which has brought
them together, but she does love him, permission given or not.
And Bessie loves Lee. She
needed her help long before, and over the years has allowed their stubborn
resentment and guilt to keep them apart, but she does love her whether
she helps her or not.
This awareness, that it is in the giving of love that one finds
life, is a powerful moment when Bessie and Lee find out that there are
no matches for her cancer.
Bessie, with tears in her eyes tells Lee:
Ive been lucky to have so much love in my life.
And Lee responds, Yes, Marvin and Ruth love you so much.
But Bessie answers: No,
Ive been lucky to be able to love them so much.
So many miss the healing power of love because their focus is
on getting it from someone else, when the power is in the giving.
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