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THE MASK OF ZORRO
THREE STARS - Engaging
If there is any lesson we learn from history, it is that the
oppressed, the hopeless and the disenfranchised search for a savior. Life, in its many injustices, enslavements, disappointments and
failures, eventually forces each one of us into places of sorrow and
pain out of which we long to be set free.
But who can save us?
Do we need a being from Krypton to come and
use super powers to fight for truth, justice, and the American
way?
Or perhaps we need an archer with a merry band to steal from
the rich and give to the poor.
Still another choice is that of a night avenger whose bat-like
capabilities overpower the greedy grasps of criminal fingers.
Or perhaps a special agent with sexual charm and indifference
to danger would serve us well.
Whether it is these or other characteristics we might describe,
they can all be found in the powerfully sensual and compelling strength
of the newest hero: Zorro.
In a masterfully told tale of a champion of the people, director
Martin Campbell gives us a Zorro you cannot help but savor.
And what is all the more insightful is that he is not really
a singular person at all, but rather an image of a person whose mask
can be passed from hero to hero as the generations change and the despots
remain.
Thus the film is rightfully called, The MASK of Zorro, for it is the mask which covers the legend.
But it is the mask which is most troubling to us as well.
In a film that is wonderfully entertaining and plays our emotions
and desires as though we are instruments in the hands of a maestro,
Director Campbell creates a symphony of vengeance and violence which
only masks the hatred of the Zorros.
Played with a subtle perfection befitting his stature as the
aging master now tutoring his pupil, Anthony Hopkins is Zorro, Don Diego
de la Vega. A fighter for the people against the evil Don
Rafael Montero (Stuart Wilson), Governor of Alta California.
But what begins as a desire to use his sword to avenge the exploited
poor inevitably escalates.
When the Governor identifies his masked nemesis as a fellow Don,
he invades his home, overpowers him with his soldiers and destroys his
life.
Zorros loss is unbearable.
Not only is his beloved wife killed, but his precious infant
daughter is taken as well.
It is then that Zorro begins a 20 year imprisonment nursing his
compounding hatred.
When he escapes from prison as an older man, Zorro is fatefully
reunited with a young man who as a boy twenty years earlier had once
helped save his life in battle.
A haunted man whose brother had been killed
by the evil captain of Don Rafaels guards, Alejandro Murrieta
(Antonio Banderas) becomes Zorros pupil and companion in their
vengeful crusade.
But, what makes these two Zorros so powerful is that they mask
their hatred and methodically plot their revenge.
Although the film weaves together their vengeance with the just
cause of stopping the evil Rafael and his Captain Harrison Love (Matthew
Letscher) before they murder hundreds of innocent people, their underlying
hatred clearly compels them and eventually focuses the film on their
final revenge.
It is this message which haunts not only them but us as well.
A savior who wears a mask to hide his hatred is one who cannot
bring an end to evil. There
must be more to the nature of our battle than just being able to fight
with more skill or daring than those who are perpetrating that evil.
What we must finally find is a savior who can change the hearts
of people, and overcome evil with good, not the sword.
In a final scene Zorro
De la Vega asks Zorro Murrieta Is it finished? when Don
Rafael and his captain are killed.
Based upon what we know about their hearts, their journey is
really at the beginning. Without
a heart of compassion these Zorros could become as cold and calculating
as their oppressors.
The moral example Jesus gave us that day has been often repeated
throughout the ages as people have chosen the way of sacrifice rather
than that of revenge as the way to truly save lives.
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