OCTOBER SKY
FOUR STARS - Inspiring
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October Sky (1999)
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The dignity with which people live their lives, often rising
to heroic levels, is caught on film in Joe Johnstons October
Sky. Recreating the true life story of NASA engineer Homer Hickams
journey from the dusty coal mining town of his youth to the heights
of space, Johnston gives us an inspiring tale which lifts us as well.
The journey begins in the 1950s in the small company-owned
coal mining town of Coalwood, West Virginia.
Homer (Jake Gyllenhaal) is a high school student whose life is
lived not only in the shadow of the mine, but also
in the shadows of his fathers authority as the mines
foreman and his brothers success as the schools football
star.
Feeling trapped by the limited options before him, Homer is struggling
to find his way. Not wanting
to live his fathers life as a miner and unable to play football
and get a college scholarship like his brother, Homer is faltering.
But then his answer literally comes from the sky.
It is October, 1957 and the Soviets begin the space race by putting
the first tiny satellite into space.
Standing, gazing into the stars and watching Sputnik stream across
the night sky, Homer decides he wants to build rockets.
This is as unlikely a decision as could be imagined, so rich
in symbolism that it would be an ingenious fiction, and yet it is true: The son of a father who has given his life to going beneath the
earth, gives his own life to soaring above the earth. The symbol of breaking free is obvious.
One of the strengths of the film is the authentic presentation
of Homers father, John (Chris Cooper).
Loving his life as a miner, John desires Homer to follow in his
path. Unwilling to do so, Homers relationship with his father becomes
conflicted and tense. Not being
able to imagine his son actually becoming a rocket scientist, John does
not support his dream. But,
though unsupportive, it is clear that he loves his son.
This is often the experience of fathers and sons.
Fathers, in their desire to help their sons find their way, often
cannot see any other path than the one they chose.
And so, out of love, they fight against their sons own
dreams for their lives.
The encouragement for Homers dream comes from his science
teacher, Miss Riley (Laura Dern). She
believes he can do it. Along
with her belief in him is a need to believe that her own life as a teacher
is making a difference in the students lives.
She wants her life to help them to break free from the limitations
of their small town and the control of the mining company by empowering
them to go to college.
When Miss Riley explains to Homer that he could win the national
science fair and receive a scholarship, he enlists the help of four
friends in building his rockets. They
are a good combination.
Quentin (Chris Owen) is an even poorer outcast of their already
poor and secluded community. An
intelligent boy whose way of coping with his poverty and social exclusion
is to study, Quentin is the brains of their operation and is nourished
by their new friendship.
ODell (Chad Lindberg) is a handsome young man whose father
died in a brutal mining accident and is now abused by his drunken step-father. Roy Lee (William Lee Scott) is a hardworking
and likable friend whose good-natured attitude brings hope to their
seemingly hopeless dreams.
Again, a fiction writer could not bring together a more unlikely
foursome, yet it is easy to see how each brought a unique ability which
contributed to their success.
At first, the difficulty of getting a rocket to fly seems insurmountable. Not only does Homers father require
them to get off company land, which requires an 8 mile walk to do so,
but the science required is too advanced for them.
But it is just this difficulty which makes their success all
the more transforming. Through
their many setbacks, eventually the entire town begins to offer their
own skills and expertise to help the rocket boys succeed.
The message of October Sky is best expressed near
the end of the film, when Homer asks his father to come and see the
last rocket launch. John, feeling rejected by his son, initially
declines to do so. But when
Homer pleads that he has not rejected him but sees him as his hero,
John finally is touched by his own sons love.
Lives lived in supportive love can lift us to the heavens. Such heroic lives might not be as heralded as are these, but lives
lived in the supportive care of family, friendship and community, guarding
both the dignity and the dreams of each, are worthy of our emulation.
799 Words
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