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PARADISE ROAD
FOUR STARS - Inspirational
As one of the most powerful presentations of the depth of the
human spirit, Paradise Road has few equals.
Based on the actual experiences of a group of English, Dutch
and Australian women captured by the Japanese during World War II, the
film travels three years with them during their imprisonment in Sumatra.
The journey begins at a pretentious party of the socially elite
in Singapore. When the announcement is made that the Japanese
are overrunning the city, the decision is made to get the women and
children on board a ship and head for safety.
This decision turns into a disaster when the vessel comes under
Japanese attack and is sunk.
When the survivors are captured as they swim to the island of
Sumatra, they are placed under the brutal care of a trio of Japanese
officers. Each, in his own way, increases their sorrow:
one physically, one psychologically and one spiritually.
The captain, when confronted with the requirements of the Geneva
Convention says, We have signed no Geneva Convention.
If war has come, then the time for rules is over. The aim is to win.
The hearts of the women are encouraged through the unlikely partnership
of two English women: a rich
socialite and a Christian missionary.
The Christian missionary is a woman of disarming spiritual presence
named Margaret Daisy Drummond (Pauline Collins).
Margarets strength comes from her authentic faith.
When the observation is made following an incident of nauseating
brutality that she doesnt hate the opressors, Margaret responds,
I just cant bring myself to hate people.
The worse they behave, the more sorry I feel for them.
Along with her faith, Margaret is obviously well educated and
intelligent. She demonstrates this fact by transcribing
from memory entire scores of
classical music.
The socialite Adriene Pargiter (Glenn Close) is a thoughtful
musician who admits that in Singapore she was taught to look down on
missionaries. But when Margaret connects with her through
music, both Adriene and Margaret become soul mates. Due primarily to Margarets strong faith and hope, they develop
a plan to cope with their joyless world:
They will create an orchestra using the voices of the women as
their instruments.
The effect is penetrating. Although
the commander has forbidden writing or group gatherings, the women overcome
such barriers and practice in small groups and in secret.
On the eve of their second year together, the women blatantly
come together for the first time to perform and Adriene conducts them
in their music.
The spiritual impact of the music is overpowering.
The guards coming to attack the women are captivated by the beauty
of the womens voices. The
harmonies and radiant smiles raise everyones souls far above the
squalor of the camp.
The barriers which once divided woman from woman and prisoner
from captor are now ignored as their common communion of the music takes
over. The music returns the dignity to the women.
Throughout the film, the various relationships, fears, prejudices
and personalities are carefully developed.
The anger and fear of one woman isolates her from the community
and the music. As she stays in her barrack and watches from
afar she says, Its just humming, thats all.
Anyone could do that.
Another woman claims to be a doctor (Francis McCDormand), yet
her skills seem lacking and it is noted that she gets special privileges
and doesnt have to work in the fields and latrines like the others.
Still another person is a beautiful model who is befriended by
a rather plain woman who vicariously experiences the models love
and life.
Though the women lived in a place of squalor, brutality and deprivation,
their courage and creative spirits filled it with life.
Margaret, as she read a poem at the funeral of a fellow prisoner,
expressed it best when she said, How silent is this place, how
sacred is this place. It is
our Paradise Road. ________________
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