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RANSOM
THREE STARS Thought-provoking
When we choose to do wrong we give evil a foothold in our lives. At first, this choice is not recognized as
dangerous. But once chosen,
evils grip begins to tighten around our lives until it has overtaken
us.
This ruinous result of choosing wrong is powerfully displayed
in Ron Howards new film Ransom.
Though unnecessarily explicit in its bloody depiction of the
consequences, Howard weaves a tale of evil in all its predictable peril
in the life of an affluent family whose young son is kidnapped.
Though at first the Mullens seem to be the epitome of the ideal
American family, we soon realize that Tom, the father, is a self-made
millionaire willing to bribe and frame others, destroying their lives,
in order to keep his own position and wealth.
Played compellingly by Mel Gibson, Tom Mullen has built an empire. Cunning and powerful, he is at the apex of
his career with a beautiful wife Kate (Rene Russo), and a charming 9
year old son named Sean (Brawley
Nolte). But then Sean is kidnapped.
As Mullen struggles with the powerlessness he feels in the face
of such a threat, the guilt for his own wrongdoing begins to surface. This is often the first consequence of wrong. Our wrongdoing is never far beneath the surface
of our lives and bubbles up whenever difficulty comes. We intuitively wonder if we are in trouble
now because of the wrong weve done before.
When Mullen confesses to the FBI agent assigned to his sons
kidnapping, he is given the opportunity to face the man he framed and
sent to prison. But instead of admitting his own sin and having
the man set free, he accuses him of retaliating by kidnapping his son.
This is the second consequence of wrongdoing.
Rather than humbly correcting our wrong, we often become even
more angry at those we have sinned against.
Such blaming of our victims is experienced not only at an individual,
but also at a societal level of our lives.
It is as though our evil has an insatiable hunger and our ability
to destroy others lives causes us to want to destroy them even
more.
When it becomes obvious that Mullens victim has not sought
revenge, we at first think that his guilt is unrelated to the sorrow
of the kidnapping of his son. But
it is here that the film reaches its rich depth and power, for the kidnapper
turns out to be a police detective who has chosen Mullen because he
knows of his bribes and devious behaviors.
Played with chilling coldness, the detective (Gary Sinise) has
brought together a band of people whose evil purpose is obviously unsettling
to their consciences.
Unlike love, which brings a group together around a mutually
positive affection, evil creates a different type of union.
As each member struggles to deal with the implications of their
plan, which includes killing the young boy, the film allows us to walk
with them into their own darkness of soul.
One member tries to avoid feeling by staying numb with alcohol. Another tries to keep distant by treating the
boy like a dog and not allowing herself to care about him. And still another begins to share his food
with the boy and decides that he cannot allow him to be killed. But, in the final analysis, there is no salving
their consciences or coming to a place of resolution with their deed.
The complexity of the film in its intrigue and psychological
ingredients is brought to its highest point when Mullen begins to think
like the kidnapper and decides not to pay the ransom, instead of paying
the ransom, he offers the 2 million dollars as a reward for the lives
of the kidnappers themselves. Such a solution is because of its slippery
descent into the morass of evil itself.
At first it seems that Mullen can win by fighting on the kidnappers
level. But the kidnappers evil cunning is only
defeated when the truth of his identity is revealed by the innocent
son and persistently pursued by the faithful FBI agent.
Ransom is about the power of evil to take over lives.
Though bad things happen to good people, most often evil comes
in full force in the lives of those who have chosen to do evil themselves.
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