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STAR TREK: GENERATIONS
THREE
STARS Thought-provoking
The genius of the Star Trek phenomenon has been a combination
of excellence in science fiction and the exploration of the deepest
human issues. In the movies,
perhaps even more than in the TV series, the issues most often explored
are spiritual. From the question
of boundaries of the universe to questions of man/machine symbiosis, the movies ask haunting questions about our
existence and offer us answers to ponder. This opportunity
is once again ours in Star Trek:
Generations. Situated in the 24th century, the ENTERPRISE
is once more caught in a problem which compels us to explore questions
of human destiny. In this ingenious bringing together of Captain
James Kirk (William Shatner) and Captain Jean-Luc Picard (Patrick Stewart),
Star Trek: Generations
allows each person to identify with both the disappointments and primal
motivations of two well-developed fictional leaders.
In a moving scene in which Captain Picard is explaining to his
ships counselor the pain of losing his nephew, he explores the
question of Career Versus Family with all the pressures,
disappointments and uncertainties of both. In a later scene in which Captain Kirk and
Captain Picard are debating career fulfillment, Captain Kirk gives some
reflective counsel about the lack of fulfillment promotions can give a person, removing a person farther and farther
from the action where a persons life can make a difference. But the
central spiritual discussion has to do with the intoxicating experience
of a phenomenon, never fully explained, called the NEXUS. The NEXUS is a ribbon in the time-space continuum of intense power.
To a space ship it is destructive power.
To a human being it is nirvana - the power to give
ultimate rest and pleasure. Within the NEXUS a human being can have everything
and anything he or she may want. The difficulty,
however, with this goal of human existence is that it is neither real
nor fulfilling. To know that
everything around you is only the projection of your own self-centered
desires is the opposite of being surrounded by real OTHERS
who choose to LOVE you, just as you choose to LOVE them. Malcolm
McDowell, playing an unrelenting,
obsessed scientist, is an example of a disciple of the NEXUS. The spiritual fruit of his quest is ultimately
experienced with the death of not only the ENTERPRISE crew but a world
inhabited by hundreds of millions of people. The fact that he was willing to destroy others to reach his eternal
bliss is the opposite of the Biblical concept of heaven. A Christian
understanding of heaven defines it not as a place of ultimate self-centered
pleasure, but rather as the place in which Love reaches its ultimate
development. Heaven is a real
place where love is both the means and the goal of existence. Love is not a final getting everything
we ever wanted but is rather the final giving everything
we are. The focus of heaven for the Christian is not
on the self but on the Other and others.
It is in that giving of the self that one finds ultimate meaning
and purpose. The creators
of Star Trek: Generations portray the nature of this choice through the actions of Captain Kirk. Compared to the disciple of the NEXUS
who would kill millions for his own pleasure, Captain Kirk willingly
jumps to his own death in order to save the lives of millions. This is the core spiritual struggle: will we live for self by taking from others (even their lives),
or will we live for others by giving ourselves for them? When Ronald
Moore and Brannon Braga in writing the screenplay for Star Trek: Generations NEXUS, (which means core
or center), as the name of the choice, they were presenting
the truth that this is the central, core spiritual issue of life.
Heaven, the real and lasting place of Love,
is found in the heart of every person who makes peace with God, themselves
and other people, and gives themselves in love. | |||||||||||||||||||||||||||||||
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